This prequel/sequel to Snow White and the Hunstman smacks of cynical profiteering; visually stunning design it’s poorly served by a script that is Snow White’s not-so-Greatest Hits with leftover bits of Narnia and assorted Hobbitses.
Clichéd, formulaic and derivative, this bargain-bin script is left without a Snow White and can only afford four fairly redundant dwarfs. Continue Reading
Having run the maze and escaped from the wicked, err, WCKD agency, teen Thomas and his Glade-dwelling crew are whisked away to a full-on zombie apocalypse – for which it seems they hold the cure.
But more conspiracy guff abounds in this expensively-rendered, post-apocalyptic(sic), Y-A, dystopian fiction sequel. Expect evil corporations, mad scientists, abusive adults and fast zombies. Continue Reading
The Coen Brothers love letter to the golden age of Hollywood is a parade of sketches filled with nods and winks to thrill film aficionados. Leaving aside whether or not everyone else will get the joke, there are plenty of delightful cameos, smart lines, dry wit and sharp satire on the movie industry. But is that enough?
The main plot concerns a made-over version of Capitol Pictures studio ‘fixer’ Eddie Mannix’ (Josh Brolin – No Country) keeping the show on the road, while leading man Baird Whitlock (George Clooney – Tomorrowland) is kidnapped by Communist screen writers. Continue Reading
This won’t mean much to the rest of the world, but to Brits bought up on the 70’s sit-com of the Home Guard defending Britain against the Nazis, this is a surprising gold reboot; mischevous, whimisical and true to its source, Jones, Nighy and Gambon pull off an unlikely comedy hit.
So who do you think you are kidding Mr Hitler? Continue Reading
If you want to skip on, you just need to know this is the Aussie version of the Cohens’ Blood Simple. With sunshine.
Alice wants to leave town with mechanic boyfriend Dylan, but bar-owner husband Jack hires hitman Mr Wolf to kill her. Jack’s sister Lucy needs a substitute body to pull off an insurance scam with indebted gambler husband Nathan, who’s being stung by the corrupt town cop Bruce.
A solid Aussie genre-blending black-comedy-thriller, Kill Me Three Times is Blood Simple, with a workmanlike script, snappy editing and a good cast, with only one problem… Continue Reading
“Let’s do a heist-chase-spy thriller like Salt – that made money. We need a strong female lead to carry it like Angelina – Kurylenko’s a babe, she can do it. Get Morgan Freeman to do his corrupt elder-stateman thing. And we need a British villain – Purefoy, he’s available, and cheap. Couple of car chases, couple of shoot-outs; make it cheaply in Jo’berg – done!”
It’s tricky calling a movie Momentum when the journeyman script can’t maintain any… Continue Reading
A Scotsman and an Irishman go to the Wild Frontier – it’s not the start of a joke, it’s Slow West, a low-budget meander through the bleak Wild West. Fassbender’s lone gun-slinger Silas befriends Kodi Smit-McPhee’s love-lorn Scottish laird, Jay. But the girl he’s pursuing has a price on her head and there’s a gang of outlaw’s after the reward money. Will the immigrant odd couple get to her before they do? And what is Silas’ motive for helping?
Sundance-winning Slow West has epic New Zealand standing in for the epic landscapes of the Old West, and despite nods to old Westerns of bank robbers, bounty hunters, men with no name and fewer words, this is an altogether more complex, European-inflected affair. Continue Reading