Alfonso Cuarón’s Oscar-winning technical tour-de-force is a thriller come adventure come survival story, yet, with a cast of only two, remains epic in every sense.
Sandra Bullock is entirely sympathetic (if not entirely believable) as civilian astronaut Dr Ryan Stone, a technical specialist in orbit to upgrade the Hubble telescope. George Clooney is barely, but memorably, there as shuttle commander Matt Kowalski.
Don’t you know it, those pesky Russian have shot down one of their own satellites creating a shower of debris hurtling across the sky at 20,000 miles an hour. The high speed space junk takes out their shuttle, then the ISS, until the only refuge is a Chinese space station.
Gravity is less science fiction than dramatised science fact – stretched to breaking point in this break-neck thriller in which nothing stops moving. There’s a surfeit of flying, falling, floating, and spinning – not to mention crashing into solid objects without sustaining any serious injuries or breaking the space suits.
The only complaint about Gravity is the tragi-comic chain of events. Each set-piece accompanied by a sense of “what, now? Really?” Each place of refuge either disintegrates, catches fire or falls out of the sky.
How many bad things can happen to one astronaut on one day? And can a telescope scientist who never managed a single landing in the simulator, pull off a landing in a succession of foreign craft she’s never flown? It’s one thing to randomly guess which button to push on your washing machine when the instruction manual is in Russian and Chinese – but a spacecraft???
But I’m being churlish. Gravity does not refer to the weighlessness of space, but the grounding of the movie by the sheer weight of Bullock’s performance. Never less than brilliant in whatever junk she’s done (Speed, Miss Congeniality, the Lake House), Bullock plays the part with the kind of huztpah that few outside Kate Blanchett or Signourney Weaver can bring.
Sharing the writing credits with his son Jonás, Alfonso Cuarón (Prisoner of Azkaban, the brilliant but bleak Children of Men, Y Tu Mamá También) directs and produces a high-concept adventure that rightly won awards for ground-breaking technical acheivement. There’s more than a touch of Spielberg-style audience manipulation in the script; Bullock has to have a tragic back story to add to her approaching breakdown. But try not to be affected as the gaunt Stone cries in zero-gravity, with her tears floating away.
The dialogue is thankfully sparse, given the down-home tone and the mundane operational space-lingo. Bullock resports to talking to herself for the sake of the plot (Redford doesn’t have to in All is Lost). And could Clooney have listend to something other than Country and Western in his headphones, whilst telling rambling shaggy dog stories about Mardi Gras? A worthy cameo, Clooney has the quiet, ahem, gravitas to be ‘the guy’ in charge, the one with the old school ‘right stuff.’
Gravity is, at the end of it, a remarkably old fashioned adventure-disaster movie with a lot of technical wizardy to make the stunning visuals. None the worse for that, ride along with Sandra Bullock and, as Clooney says, enjoy the view. RC
Director: Alfonso Cuarón
Writers: Alfonso Cuarón, Jonás Cuarón
Running time: 2 hr. 4 min.
Genre: Adventure, Science Fiction
Cast: George Clooney, Sandra Bullock
Related: Oblivion (2011)