Never a fan of Du Maurier’s sub-Bronte shananigans, but desperate to like this one, Robert Michell’s costume psycho-drama proves the existence of LAS – Literary Adaptation Syndrome.
The necessary over-compression of a long novel beats all the mystery out of Du Maurier’s ‘did-she-didn’t-she’ plot, reducing it to Fatal Attraction in Crinolines, with all the subtlety of a bulldozer crashing through your window. Continue Reading