Rian Johnson helms the difficult middle episode of the new trilogy to re-mix a crowd-pleasing Star Wars Greatest Hits Volume 8 into something just different enough that we haven’t seen all of it before. Expect dog-fights, chases, cute furry things, comedy robot side-kicks and a lot of existential moodling about the Dark Side of The Force. Die-hard fans won’t praise Johnson’s handling of all the material and there are good actors desperately scouring the script for clues. And then there’s some bloke called Luke Skywalker. And Yoda – the puppet is back! Continue Reading
Favourite French film bloke Luc Besson (Lucy) aims to rival his own commercial and cult classic Fifth Element with a grand space opera and love letter to the comic books of his youth. Visually exuberant, whimsical and packed, as always, with more ideas than will fit on screen, Besson fans will love it whilst still seeing the flaws that kept multiplex audiences away. Continue Reading
Cross Ridley Scott’s 1989 Alien Nation with 1995’s Bad Boys, add Tolkien’s Elves and Orcs, prisoner-escort thriller 16 Blocks and what you’ve got is a sweary, violent, cop-buddy-movie-fantasy crossover from Netflix by Suicide Squad‘s David Ayer that’s divided critics and audience alike. Continue Reading
Guy Richie’s King Arfur Daley is a geezer movie – think Lock Stock and One Smoking Excalibur. Too long, with too much going on and several parodic Richie fast-cut exposition sequences, it makes A Knight’s Tale look like pure Chaucer. And yet, despite the cringingly awful mockney-cockney banter, there’s good work from principal villain Vortigen (Jude Law) and chivalrous Uther Pendragon (Eric Bana) to keep us watching. Continue Reading
Patty Jenkins steers DC to it’s first decent movie hit but can’t avoid the cliches of a bash-smash-and-crash ending against a laughably unlikely villain.
One question remains, though; if Wonder Woman is such a feminist icon, why is she still dressed in a leather-bondage-showgirl outfit? Continue Reading
It’s a bit late to tell you to see this on a big screen, but don’t let that stop you with the DVD, Blu-Ray or subscription; the latest from the J.K. Rowling Potter-verse is beautiful, thrilling, charming and delightfully eccentric; a knowingly commercial New York outing soaked in magical Britishness. And yes, the beasts are fantastic. So is Eddie Redmayne.
An aside from Potter, Fantastic Beasts and Where to Find Them, authored by the brilliantly named Newt Scamander (Redmayne), launches into a new Potter-verse trilogy. It’s graduate-level Potter for the growing fan generation that’s also garnering new young fans with further wizarding adventures. Continue Reading
I know… but the original is my young lady’s favourite animation as a kid, so we went to see it. Which begs the question: when there’s so much CGI on screen, including Dan Stevens’ beastly face, can you really consider this remake ‘live action’?
When it’s all just an excuse for uber-cynical Disney to wring more money from old properties, it’s even harder to give a fig for singing household utensils, however well Emma Watson flags her feminist credentials.
And as for the alleged ‘gay moment’, I barely noticed. But then I used to live in Brighton… get over it, people. Josh Gadd is camp as Christmas as LeFou, but no worse than C3PO or any number of other comedy sidekicks. Continue Reading