Author Stieg Larsson’s Millennium Trilogy grinds to a close in two and a half hours of TV-movie dullness.
After the excellent The Girl with the Dragon Tattoo, you knew the trilogy had gone off the rails when disturbed Goth heroine Lisbeth Salander’s father was revealed as a Soviet KGB defector. It took The Girl Who Played with Fire out of edgy serial-killer thriller territory into seen-it-before conspiracy non-thriller, with a disfigured dodgy Russian and a blonde East German side kick the size of the Berlin Wall and no sense of pain.
The Girl Who Kicked the Hornets Nest is less of the same, spread over a longer running time but with added espionage and a ludicrous court-room drama thrown in. Continue Reading